One Brief,
One Finished Asset
Most parkour content falls down in the gap between the athlete and the camera. A world-class line means little if the operator cannot keep up with it, and a beautiful frame means little if the movement inside it is second rate. We produce both sides of the lens.
In front of the camera: athletes whose credits span Netflix, Channel 4, BBC and Warner Bros, with campaign work for Adidas, Nike, Red Bull and Gymshark. Behind it: filmmakers and photographers who specialise in movement, drawn from our relationships across the parkour community.
We handle casting, choreography, safety, locations, shoot days and the edit, and deliver films and stills ready for your channels. One team, one point of contact, one invoice.
From Brief
To Delivery
Brief
Tell us the goal, the channels and the deadline. We scope deliverables, budget and schedule, and you get one point of contact from day one.
Pre-Production
Casting, choreography, safety planning, locations and permissions, locked into a shooting plan the whole team signs off.
Shoot
Athletes perform, movement-specialist operators and photographers capture, and we direct the action so every setup earns its place in the edit.
Edit & Delivery
Grade, cut and versions for each channel: finished films, stills and social cuts delivered ready to publish.
Built Like a Crew,
Not a Supplier List
Split a parkour production across a talent agency, a stunt team and a general production company and the gaps appear fast: choreography that does not match the storyboard, operators who cannot follow the athletes, days lost to re-planning.
We run it as one crew. The athletes, the movement direction, the safety planning and the camera specialists work as a single unit, backed by roster credits across Netflix, Channel 4, BBC and Warner Bros and campaign work for Adidas, Nike, Red Bull and Gymshark.
If you only need the advisory layer, our parkour consultancy slots into an existing production instead, covering feasibility, safety planning, choreography and casting.
A Roster Built
For Production
Some of the athletes our clients cast when the camera is rolling.
Video & Photo Production
FAQs
What does full production include?
Everything from brief to final delivery: concept development, athlete casting, choreography, safety planning, locations, shoot days with specialist camera operators and photographers, and the edit. You receive finished films and stills ready for your channels.
Who shoots the content?
Specialists who understand movement. We work with movement-specialist videographers and photographers from across the parkour community, people who can read a line, frame it and keep up with it, while Movement Management directs the action in front of the lens.
What kind of projects is this for?
Brand campaigns and social content, launch films, venue and event coverage, music videos and editorial shoots. If the brief involves world-class movement on camera, we can produce it end to end.
Can we use our own director or agency?
Of course. We slot in wherever you need us: as a full production partner, or supplying athletes, movement direction and specialist camera talent to your existing team.
How long does a parkour production take?
Most brand shoots run two to six weeks from brief to delivery. Concept and casting land in the first week, choreography, safety planning and locations follow, then shoot days and the edit. Tight launch dates are workable when we plan backwards from the deadline.
Where do you shoot?
Wherever the brief needs. We are UK-based and shoot across the country, from city rooftops to studio builds, and we produce internationally too. With athletes across 12 countries we can often cast close to your location.
Ready to Put Movement
On Camera?
Send us the brief. We will come back with an honest view of what it needs, who should shoot it, and how quickly we can deliver it.